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Chris Shallow MSc's avatar

Silken Mouli — this is genuinely one of the best comic pieces I've read in a long while, and I want to be specific about why.

The bathos is doing all the real work, and you never once let go of it. An Incubus Sorcerer Prince being ambushed over lawn-mowing, Residents' Association dues, and a squeaky back door is a joke that could collapse in a dozen ways, and it never does — you keep escalating the domestic-mundane register right alongside the supernatural-erotic one, so the two stay in perfect, ridiculous tension all the way to "in this economy?" That's much harder to sustain than it looks.

The chorus of women is a small masterclass in comic characterisation through tag and rhythm alone — Knee Braces, Sore Vagina, the freshly-permed cleaner-widow — each one distinguishable purely by preoccupation and cadence, no physical description doing the lifting. And "organised, orderly oral, as it were" is the kind of line that tells me you trust your reader to catch a joke without you underlining it.

The illusion catalogue near the end is the piece's best stretch — Bugatti woman, the Hugh-Grant butler, the K-pop idol, dad-bod-with-a-sandwich, and then the cat. The cat is the punchline of the whole sequence, and putting it last, undercutting the fantasy escalation with something completely banal, is exactly the right comic instinct.

And the ending — Anne walking out with a fiver from the Royal Bank of Scotland and a fistful of pound coins — is perfect. It's the joke the whole piece has been building toward: the Prince turning the tables from harassed to transactional, and doing it with the same deadpan restraint he's had from the first page.

This is farce done with real control, not just enthusiasm, and it shows. More please.

Paul van der Varst's avatar

Very, very, funny tale. The drawing of the cat is the clincher for a third very.

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